e’s a very good handle on his face, as Nkemi shares her library hearsay. So does she – it’s the prefect’s face she wears, wide-eyed and serious, same as the first night he saw her – and if she’s not breaking character, then neither is he. He frowns professionally, his brow knit. But his eyes soften as she takes the lass’ hand.
Offer everything, he hears, and thinks of a proclamation. He looks round momentarily for the boy with the patched-up spectacles, but he and his ma have both disembarked. It’s not long before they follow suit, stepping off onto the covered platform, climbing down into yet another place he doesn’t know.
He looks about, drinks in the cafes with colorful awnings, the milling, mingling folk, the windows with signs in both Estuan and looping, flowing Mugrobi. He makes a note of the bookseller Nkemi points out.
They’re dasher more than eddle, the two girls. Nkeji’s is a presence at the edges, sometimes lagging out of range, but Jiowa’s clairvoyant mona mingle with theirs, curious.
And then the sun is on them again, and he looks out over the broad way he’s never quite been able to picture. “Tsed’tsa,” he says.
Beautiful, says Jiowa. He can’t help but smile; a little playful warmth creeps into his caprise.
Wardrobes on wheels, full of books. He never insulted the imbala by doubting it, but it’s still strange to see. One vendor, he notices, is a human, very tall but wiry, wearing a dark green cap and spectacles perched on his nose, fetching down a book for a customer.
It’s not, he might’ve protested, that he’s never seen humans in glasses; he’s seen them plenty, the ones with writs – real or fake – the ones back home that dealt in the illicit book trade. Folk like Binder, even. It’s not impossible for a natt to get them. It’s only that –
It’s only…
The sun beats down; even in his waistcoat and shirtsleeves, he can feel it prickling. He wrangles with the thought, as if he’s wrangling a drake. The throng stirs and parts, and a pinched-looking arata with an armful of papers leads a line of little bochi across the pavilion. Some are laughing; some are not. He catches the eye of an anxious-looking little lad that’s lagging behind the rest, and he doesn’t think the sight of him is reassuring.
“Well, I get to see Ire’dzosat,” says a little voice.
“Like I even want to!”
“Liar…”
Jiowa is asking Nkemi another question. Nkeji’s standing nearby, arms crossed, skimming the crowd.
“I’ve heard,” he mumbles, looking nowhere in particular, “that Idisúfi’s North Hall has a fine collection of the Imúh love poets.”
He hears a scoff; he feels something like rolled eyes. “My interest is with not with the poetry, u’rafe.A term of respect like ada’xa, but usually reserved for elderly scholars.”
“But theirs is,” he shoots back idly, with, he fancies, the air of someone who knows where many of a man’s interests lie.
A pause. “And what does an Anaxi know of poetry?”
“What does an Anaxi know of anything?”
Nkeji is still looking over at a bookseller’s stall, where through the crowd he can see a well-built, serious-looking young man arguing with the vendor in clipped Estuan. “I’ll think about it,” adds Nkeji, with a shrug.
The man’s a good three or four years older than her, and from here, he might be arata or imbala. When the duckling bochi’ve passed, they continue on, Nkeji catching up with Jiowa. His mind wanders; he imagines Aremu here, as a little boy toddling along behind an instructor, then as a young man at a bookseller’s cart, or frowning down at a spread of books in the shade, smoking and taking notes.
“...Idisúfi,” Jiowa is saying to Nkemi, quiet but eager. “I have heard that there are chambers for meditation with very old plots – some from as early as the twenty-fourth century?”
“Poa’na,” sighs Nkeji. “We will miss Professor Uzoma.”
He looks back, smiles. Jiowa is blushing again, two dark spots in her cheeks. “We can find our way from here. Domea domea, ada’na Nkemi,” she says, bowing. She pauses, then, as if remembering, bows to him. “Ma’ralio, ada’xa…”
Nkeji stifles a giggle.
“Antohni,” says Jiowa firmly.
“Ma’ralio, ada’na Jiowa, ada’na Nkeji,” he says, bowing to both, and then still in Mugrobi, “goodbye.”
Nkeji bursts out giggling again mid-bow; she manages an ule’elana looping her arm through Jiowa’s, and then they’re off, Nkeji laughing through something in Mugrobi.
“I had read that the West Hall of Idisúfi was haunted,” he says gravely, as they veer off to a shaded side street, lined with awnings and tables and chairs and more kofi smells. “Perhaps it bears investigation.” He cracks a smile, but raises a brow, as if he’s not quite joking; it’s certainly not a lie.