Satar Itsasoa

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Satar Itsasoa
Posts: 1
Joined: Thu Apr 04, 2019 9:44 am
Topics: 1
Race: Raen
Character Sheet: Character Sheet
Plot Notes: [url=http:/fullurl/]Plot Notes[/url]
Writer: Luxtopher
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Thu Apr 04, 2019 10:07 am

Satar Itsasoa

Image

Race: Raen
Virgil’s Birthday: Ophus 13, 2692
Satar’s Birthday: Roalis 34, 2695
Age: 25
FC: Indeterminable


Place of Origin: Vienda, Anaxas
Current Location: Old Rose Harbor, Anaxas
Occupation: Slaver
Player Name: Luxtopher

Physical Description

Satar stands at a fair six feet and two inches, bearing an athletic but chiseled build. The wick's skin is a caramel tint, absent of hair, smooth and void of blemish. His facial structure is broad, comprised of a sharp, wide jawline, a thin nose, high cheekbones, a narrow chin and thick lips. Satar's eyes are upturned and shaped as thin slits, their iris' a dominant hazel with a forest green of its outskirts. He sports a head of dreadlocks of a deep brown, with light copper flecks scattered about some of their ends, a result of applied ochre. The wick leans a hygienic sort given a slaver, having tended to maintain a polished upkeep of attributes such as his scent, skin and dental. A youthfulness begets the entirety of his complexion, often inviting the assumptiveness of his true age being less than it is to others. Satar's most distinctive trait to the eye may be what is not commonly visible, being the collective of tattoos completely covering his torso. It is a composition of art ranging from symbols pertaining to his rank & achievement in the Arach Syndicate to pagan mythology, to give examples of its predominant graphic. The presence of ink does not stretch beyond this region of his flesh, however.

Personality


Virgil, principally, is an individual who prizes humility and moral discipline. The foundational tenets of his ethics find root in the encouragement of growing one’s passions, a mentality endowed through the fruitful years of his parents’ kinship. He is a strong believer in the notion that contentment is a facet of codependency; that to sustain fulfillment is demonstrate one’s intuitive inclinations of social obligement impartially. This core belief drives a sense of consistent civility, known not to ridicule others or instigate argumentative discussion. In bearing an adherence to restraint and keen managing of his speech, however, his less admirable qualities manifest through other faculties.

Virgil’s headstrong-ness is a double-bladed attribute. In its natural sway, it can draw others to the appeal of harmonious communion. He’s a penchant to employ humor and literary devices to translate meaning among a diversity of personas to bring a feeling of common ground that may’ve collectively been perceived as obscure. On the other hand, an air of disillusionment embroiders his presence. He represses his desire to praise and critique to some extent, a trait that is at times, however, superseded by special circumstance. This restraint is an exhibition of the indignity he attaches to the shortcomings that he recognizes as needing repentance, though fails to address in the sentiment of his self-perceived incompetence. Given form in his demeanor and body language, this seems to invite the disdain of most company.

In death, Virgil blossomed into a strident inclination, a development brought upon by his harrowing appetite to discover the fate of his sister, and perhaps, to a lesser magnitude, an accommodation to the original emotional disposition of Satar. The boy who hunted bugs and bopped to the musical performers of The Dives surfaces this hardened character, nonetheless. His goofy, free-spiritedness makes its uncommon advents through his appetite for vengeance. This root nature seems in conflict with his adoption of violence and intimidation to achieve what he dutifully seeks to undo. All in all, a loving soul remains evident in this austere, steely forefront.

RACIAL VIEWS


Galdori: Virgil is not particularly fond of the galdor, who he perceives as responsible for fueling the culture of crime that victimized his sister. It is not callous perception, however, as he retains an indifference to the state of social dichotomy. To an extent, he respects the efforts of their maintenance of hegemony but is not inhibited in forwarding recognition of his perceived toxicity of their social agenda. His perspective towards them as a species borders distaste and indifference.

Wicks: The wicks are a people whose culture Virgil came to adore due to Linnea’s influence. The street performers of The Dives left an impactful effect on his regard for art, as well as an interest in their struggles and history. He particularly cherishes them for the radiance it brought Deilaini.

Men: Being a human himself, he leans into an intrinsic fondness for them. He’s never forwarded much contemplation to his identity as a ‘lower race’, nor in transforming that condition. Virgil doesn’t hold humans to a higher worthiness than wicks, though, as in contrast to his mild bias towards galdori.

Passives: Virgil has never personally known a passive and doesn’t identify with this social caste. He is aware of their condition, but had never felt incentive to pursue a broadened understanding of them. Virgil believes them irrelevant to his path, and their nature a manifest of ‘divine reckoning.

Raen: Once bearing only a minuet understanding of the Raen in briefly elaborated account, he thought little of them. Upon death, though, Virgil came to appreciate the realm housing these unbonded entities. It gave insight to a higher design of spiritual order, and expanded his identity beyond the social constructs of nationality or ethnicity.




Backstory


BIRTH & CHILDHOOD

Virgil, the first child born to a human couple in The Dives of Anaxas. His father, Cairn, operated as a reputable blacksmith while Virgil's mother, Linnea, worked as a florist. The young family led a contented life, considering the culture which surrounded them. The two spent invested much attention to Virgil, developing his sense of humility, exploring his interests and encouraging his curiosity. Virgil was an outgoing and kind child, bearing the stability reflected in his family's structure. The boy particularly enjoyed bug-catching, keeping his subjects contained at home and even defining his own taxonomy of those captured. His mother introduced him to art and music, the latter influencing his future taste and skill in dance. What seemed to draw Virgil's interest most, however, was helping and observing his father in the smith's shop. He sought to learn what he could and as much as he could, in spite the limits of his youth.

Change came to temper this family's life when the birth of a second child arrived. This would be Virgil's sister, Déalainí, born seven years after him. Linnea resigned from the florist's to commit to her daughter's care, as she had done with Virgil prior. Cairn's shop, however, had witnessed stifled profits due to market factors such as arising competitors and a significant reduction in private commission work over time. This demanded he adopt an additional shift, leaving most of the parenting duties in Linnea's hands. Cairn's new schedule certainly laid the seed of decay of his personal joy and his family's, though it never served as sole attributing factor. The family and marriage endured in the first years of her life, though hardships had made their breach.

CHAOS, ADOLESCENCE, A SCORCHING HOME

A small boy had become a grown youth, and with this transformation came new responsibility. Virgil had joined his father at the smith's shop upon donning adolescence. He'd also begun to look after Déalainí, with this role having come to a basis of interchange between himself, his mother and a hired carekeeper. Concerning his parents' own relations, their marriage had grown to be estranged, tainted with mutual derision and hidden infidelity. Linnea frequently went out on her own in the night, while his father become rather familiar with the local pubs. It was uncommon they spent much time together in peace, and rarer they'd share bed. It'd begun with Cairn's exhaustion and stress, which seduced him towards alcohol. The man was deprived of the financial surplus of past days, strained to turn most his earnings to provide the minimal needed to support himself and his family. Perhaps what strongly pivoted the collapse of trust between Linnea and Cairn began after he'd first beat her, and its subsequent re-occurrence.

As an older brother, he'd done his utmost to shield Déalainí from their parents' conflicts. While he himself had witnessed his father's physical abuse of his mother, it was not something he'd want her to see, nor did he desire her to be consistently exposed to the toxicity of their verbal exchanges. He too had been beaten for trying to restrain his father or intervene in their arguing. So, Virgil learned to quickly remove Déalainí and himself from their home when things grew out of hand, sometimes spending some hours away. In these moments together, Virgil sought to show her what he'd become fond of in The Dives. He'd take her to see the street performers, to eat at his favorite restaurants, where he'd hunted bugs as a child and occasionally the florist's where Linnea worked to buy her some flowers of her choice.

Time crept onward, with no avail to his parents' worsening relationship. One day, it fell into Virgil's awareness that his mother was romantically involved with another man. He was seventeen then, and it was but a couple weeks after this event that Linnea made her departure. A desolate and gloomy atmosphere clutched that day, a scene imbued of dismay when their mother bid her good bye. Déalainí would cry perilously, begging against her leaving. Virgil, albeit reserved in his expression, was anguished by this shattering of his parents' bond. It'd be some time since he'd next see Linnea, and due to circumstances beyond his knowing, longer than she'd intended. What was once longing translated to resentment, a perspective reinforced as well at the indirect behest of his father.

NUMBING COMFORTS TO VENGEFUL ECHOES

Life now bore witness to the young man that Virgil had become. His father’s career saw much advancement, overhauling the lifestyle he and his sister lived. Cairn was now a highly proficient airship engineer, developing this trade in Soot District. From there he had tuned his ability to an exemplary level, which led to him eventually landing employment at a private airship dock in Uptown. This gain of economic rank led to his purchase of estate in Old Rose Harbor, where he’d subsequently send his children to live, wishing to reward with them with a life beyond The Dives. Knowing of its notoriety, he’d also communed with some relevant native parties to extend a watchful eye of Virgil & Dealaini, inspired by a measure of coin.

Virgil and Déalainí both inevitably found themselves enthralled with the scene of Old Rose. For Virgil, it was the liberty of leaving Vienda behind; particularly having attached pain to the memory of his parents’ separation, and now bearing a conflicted sense of gratification with the distance between his mother and them. While Déalainí had continued to visit and see Linnea over the years, Virgil had retired the act. He’d adjusted sooner than his younger sister, though upon finding herself some friends, her disdain blossomed into enthusiasm.

The young man picked up fishing and gambling here, with the latter once leading to his procurement of a fair portion of laudanum, a substitute for a monetary winnings his opponent could not provide. Initially inclined to sell it, his curiosity led to an experimental consumption. This brought on his eventual dependence on it, primarily in his studies but manifesting in extracurricular activities also, and too prompting a diluted watchfulness of Déalainí. Like blacksmithing before, his father had provided study material, components and equipment for Virgil to hone his understanding of airship engineering. It was when Déalainí failed to return one night that elicited extreme concern. The next day he’d sharply search for her friends, and upon interrogating them, discovered that Déalainí had been kidnapped by some men at a small gathering gone awry. What he’d gathered was that they were agents of a crime outfit known as the Arach Syndicate.

Vigilant and indiscreet was Virgil in pursuit of information pertaining Déalainí’s condition. It can certainly be declared his laudanum addiction mayve clouded his judgement in so openly decrying the Arach Syndicate. It’d had consumed his thoughts to his very last breath. It’d been only a couple weeks following Déalainí’s kidnapping that Virgil himself in the arms of death. His enemies had gained wind of his efforts, and exercised their wrath. The bottom of the sea would become his final resting place.


A BITTER REPRISAL

Fear, self-loathing, great sorrow; a host of emotions that swarmed Virgil in his final breaths. What surged above all these, however, was his guilt regarding the fate of his little sister. Death could not quell his anguish. He'd manifest as a Raen, at first disorientated by his new state of existence and bound to his self-imposed condescension as he wandered indefinitely. Time seemed a contorted construct, something he failed to heed or even aim to anchor. Virgil simply roamed, some of his memories decaying and some becoming victim to repression.

His journeys brought him into the company of phantoms and Raen alike, mostly a product of him obliviously drifting along in the direction the present majority headed. Being alone seemed unbearable for some time, as it brought him great misery to reflect on his responsibility concerning the fate of his sister. This memory never escaped him, however; it would serve the relentless agent that taunted him and brought him to continually challenge his cowardice, no matter how many times he'd reject its surfacing. It was in a moment of reflection of this matter that galvanized Virgil to abolish his fear and steer towards redemption of his perceived failure. He felt obliged to return to Old Rose Harbor; the only place he'd conceive grant him the opportunity to rescue Dealaini.

THE STORM OF RECKONING

Virgil arrived in Old Rose Harbor a Raen, anguished yet determined. Upon witnessing it and finding familiar faces dispersed about, his remorse intensified. His reflections filled with the life and aspirations that never birthed, and those that found themselves wounded by his absence. The resonance of his former home now taunted him, and he immersed himself in the its pain. Eventually, he guided himself to Sherry’s Peninsula, particularly drawn to its sands for having harbored him and Dealaini’s in countless moments. Virgil dwelt there a while, casting his gaze upon the waters as he wrestled the eclipse upon his memories of her, a phenomenon that stirred him to tears.

A small vessel appeared in the waters in the early morning then, a fair presence of fog masking its visibility. Virgil watched keenly, observing its path and following it in curiosity. Given the weather and time, its surfacing suggested to him that it was quite probable its crew was given to a criminal network. The Raen led himself to the dock the vessel approached, gaining his anticipated moment to witness their identities. A group of three men, tailored with a moderate display of tattoos were acknowledged as the crew. Two of the men disembarked the vessel after directing a duo of bound young women ahead of them. Virgil grew filled with shock and resentment, realizing that these were human traffickers, and assured to be responsible for Dealaini’s kidnapping. Virgil followed them through Old Rose Harbor until they arrived at a two-story estate, with the older man leading the girls inside as the younger man stood outdoors. A great rage stirred within Virgil as he glared upon the young wick, and he launched himself upon him in the will of duress.

The wick battled Virgil’s invasion of his temple, though his fear was great, and Virgil was relentless. The young wick, Satar, groaned and shrieked in pain as he found himself being stripped of his sovereignty. Virgil began to embody him physically, ejecting him from command of his physical form, and integrating himself. The event concluded with Virgil now possessing a body yet again, and it was that of an agent of the Arach Syndicate. He then entered the estate, seeking his peer, whom he discover abusing one of the girls. Virgil drew his knife and slayed him, proceeding to tell the women that they may leave. His peer dead and the abducted liberated, Virgil made his way back to the docks, joining the third man again.

Upon being inquired of his peer’s whereabouts, he only declared that the man had his reservations about rejoining them. The man reacted in disappointment, though, there was business awaiting them elsewhere, and he was grateful that Virgil was available. As the morning advanced forward, he would discover this individual led the branch of the Arach Syndicate within Old Rose Harbor. Virgil at last found his opportunity to discover Dealaini, his beloved sister. He would live as a slaver from that day forward, vowed to the path of achieving a reunification with Dealaini.


Aptitude Skills

Mental
Average
Physical
Average
Social
Excellent

Focus Skills

Combat

Combat Skills Here

Linguistics

Language Skills Here

Magic

Magic Skills Here

Professional

Profession Skills Here


Career and Income

Occupation

Slaver

Income: Wealth Level

Average


Housing and Inventory

Housing: Type

A two-story estate supplemented by a basement in Old Rose Harbor. The first floor hosts its utilities as well as a diversity of seating for its guests. On the second floor, business is the orientation. It bears a personal office chamber, as well as a chamber where meetings are held. The estate’s sole two bedrooms finalize the arrangement. In the basement, tools, produce, arms and the such are stored, as well as functioning as a temporary dwelling for slaves awaiting purchase.

Inventory


Weapons, forged identity documents, shackles, rope, drugs, produce


Goals

Rescuing Dealaini.

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